Entry #4: Hysteria at Home

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The Witch (2015) tells a story full of witchcraft and accusations as a family comes to grips with the sudden disappearance of the youngest son, Samuel. Thomasin, the lead character in this film, is continuously accused of witchcraft as the family’s misfortunes continue. Where tragedy strikes, Thomasin is close or lingering near the incident. Her own family accuses her of bringing dark magic to the family (Eggers). To ensure that the ending of the film isn’t spoiled, I will end by saying that Thomasin undergoes a symbolic change, leading to fulfillment of her character archetype.
As one continues to analyze the film in relation to the true story of the Salem witch trials, we see the sensualization of the hysteria and how easy it is for family members to turn against each other as they live in fear. It is interesting to note that the film follows only one girl accused and her family’s actions against her whereas the Salem witch hunt involved many more women and families. The families location on a small farm works as a catalyst for the family to be the prosecutor, judge, and jury.
In what ways has this film popularized the idea of dark magic breaking up a family? What are the striking resemblances to the actual events in Salem? Did you enjoy this portrayal? I look forward to seeing your thoughts in the comment section below!
Citations and links:
Eggers, Robert, director. The Witch. The Witch, Universal Pictures, 2016,                    www.imdb.com/title/tt4263482/.
https://youtu.be/TIkW4StMAPE

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